workshops
venue : Atelier & Gallery
2 Ryneveld Street, Stellenbosch
Painting from life Demo 1:
Sunday 05 Aug 2018
by Max Ginsburg:
R 1000 / $ 80
per person
max 30 students
Painting from life demo (2 hours)
Powerpoint talk (1 hour) where he discusses the social themes in his work and many other old master's works.
venue : The Woodmill Lifestyle Centre
Workshop 1:
06 August 2018 - 10 Aug 2018
Max Ginsburg:
Painting the Portrait
R 11 400 / $ 900
per person (5 days)
max 15 students
The fee is for the workshop only. It does not include the demo, any travelling costs, accommodation, materials, meals, excursions or other expenses.
Fully Booked
"I paint and teach alla prima painting from life (model). I do short demos each day to demonstrate the skills I want the students to develop. We emphasize gesture, proportion, values, color, composition
and always the careful observation of the model posing, to "paint what
we see not what we know". However during long model breaks and often after class I discuss the expression of ideas in art by myself and Old Masters, but during the class time with the model posing we are concerned with the development of skills to paint traditional realism."
venue : Atelier & Gallery
2 Ryneveld Street, Stellenbosch
Painting from life Demo 2:
Sunday 12 Aug 2018
by Max Ginsburg:
R 1000 / $ 80
per person
max 30 students
Painting from life demo (2 hours)
Powerpoint talk (1 hour) where he discusses the social themes in his work and many other old master's works.
In this demo he talks about the procedure of his multifigure paintings, illustrated with slides.
Workshop 2:
13 Aug 2018 - 17 Aug 2018
Max Ginsburg:
Painting the Figure
R 11 400 / $ 900
per person (5 days)
max 15 students
The fee is for the workshop only. It does not include the demo, any travelling costs, accommodation, materials, meals, excursions or other expenses.
one spot still open
"I paint and teach alla prima painting from life (model). I do short
demos each day to demonstrate the skills I want the students to
develop. We emphasize gesture, proportion, values, color, composition
and always the careful observation of the model posing, to "paint what
we see not what we know". However during long model breaks and often
after class I discuss the expression of ideas in art by myself and Old
Masters, but during the class time with the model posing we are
concerned with the development of skills to paint traditional realism."